This October marked my 10th anniversary in San Francisco. Yes, I’ve seen this city change dramatically, and, yes, it has become grossly expensive. The streets are a messy dichotomy of new construction and rotting feces. Beloved spots are hastily transforming into faceless condos, while too many of its people miss out on its quirks and quaintness because they’re staring down at a screen. But enough has been bitched about regarding growing economic disparity, greedy landlords, corporate takeovers, Zuckerberg and Google buses, “bro”-grammers and millenials swooping into a city whose history they don’t give one damn about it. I’m not here to add to that circular conversation, or romanticize San Francisco’s more culturally stimulating “better times,” or to yell at these kids to get off my lawn (I’m just an expat from the Midwest, after all). Continue reading “San Francisco in 10 Years, 10 Spots & 20 Songs”
Austin is a city brimming with tech investment, yuppie luxuries, hipster havens, Southern charm, healthy eats, and cultural attractions — but it’s probably most famous for its mighty SXSW Music Conference. My first time at the annual music-industry extravaganza involved quite a mix of emotions: excitement, anticipation, confusion, anxiety. With so much going on, the sense of wonderment and worry comes from that nagging feeling that you’re missing out on something great just around the corner. I was lucky enough to go with a seasoned veteran, aka Handstand Steph, who helped direct me to venues and parties filled with great new bands. This may not be as easy a task as you’d think. See, SXSW has quickly grown into a corporate free-for-all, where a stage resembling a giant Doritos bag is the main attraction, and where A-list celebrities woo even the snobbiest of music fans and insiders. Do Justin Timberlake and Prince really need to be there? More importantly, does every media outlet need to report on it? What happened to SXSW being purely an outlet for unsigned bands and music discovery?
For me, 2012 may be just as memorable for its live shows than for the music itself. Then again, that’s the way it should be, right? Music is about the experience — physical, mental, and emotional — and that experience can be multiplied tenfold in a live setting — if the artist is good enough, that is. So, as a way to remember these good times, I’ve tracked my top live music moments of 2012. Enjoy the show!